The Human Cannon Ball climbs down into
the barrel of the cannon, safe in the tube’s
darkness, waiting, like me, for the film to punch
him up the metal shaft and into the canvas
air, down-tent, to the inflated landing bag.
I’m holding my breath because a pair
of purple finches have nested in the exploding
fuschia next to the door and are gun-shy
when anyone comes or goes, so their young
are fed more on my family’s comings and
goings than their own hunger. Mother
flits from the willow to the box elder,
waiting for evening, for a lull long enough
to poke a seed into a new throat. So I
ask everyone to use the back door which is
easy to forget to do and not to scent the nest
with our kind, out of curiosity or the wish
to kiss a berry into one of the four blind
gaping mouths. Father, rosy and raspberry,
not purple, stays on a near branch, as if
standing on a spring, waiting to see if I will
have the courage to breathe, when the Human
Cannon Ball is launched into the air
and turns himself like a maple leaf, a snow
goose feathering into a corn field, toward
the arms of the audience, which can never
take the place of the pink blown-up plastic
bag that will save him a few frames and words
from now – if I can stand here, still as a shadow
of a nest, breathing like the wind that flies
through the weedy branches of the box elder,
here, empty as the air that needs to take him up.
—Gary Margolis
Monday, March 27, 2017
Monday, March 20, 2017
The Devil is in the Details
Books being written
Are strewn with
pitfalls
For those who write
them
A tendency to
sermonize
A veering into
allegory
A lack of
plausibility.
If one creates an
imaginary garden,
The toads in it
should be real.
Only tell of events
which have already happened
In Joyce's
"nightmare" of history
Only describe
technology
Already available.
No made-up gizmos
No made-up laws
No made-up
atrocities.
God is in the
details,
They say.
So is the
Devil.
Margaret Atwood
(arranged quote,
derived from her NYT article,
Monday, March 13, 2017
Let This Darkness Be A Bell Tower
Quiet friend who has come so far,
feel how your breathing makes more space around you.
Let this darkness be a bell tower
and you the bell. As you ring,
what batters you becomes your strength.
Move back and forth into the change.
What is it like, such intensity of pain?
If the drink is bitter, turn yourself to wine.
In this uncontainable night,
be the mystery at the crossroads of your senses,
the meaning discovered there.
And if the world has ceased to hear you,
say to the silent earth: I flow.
To the rushing water, speak: I am.
- Rainer Maria Rilke
Sonnets to Orpheus II, 29
(translation by Joanna Macy + Anita Barrows)
feel how your breathing makes more space around you.
Let this darkness be a bell tower
and you the bell. As you ring,
what batters you becomes your strength.
Move back and forth into the change.
What is it like, such intensity of pain?
If the drink is bitter, turn yourself to wine.
In this uncontainable night,
be the mystery at the crossroads of your senses,
the meaning discovered there.
And if the world has ceased to hear you,
say to the silent earth: I flow.
To the rushing water, speak: I am.
- Rainer Maria Rilke
Sonnets to Orpheus II, 29
(translation by Joanna Macy + Anita Barrows)
Monday, March 6, 2017
Nature Teaches Us How to Be
The scenery, when it is
truly seen, reacts on the life
of the seer,
of the seer,
how to live,
how to get the most
how to get the most
of life,
how to extract its honey
from the
from the
flower of the world.
Nature spontaneously keeps us well.
Do not resist her!
~ Henry David Thoreau
(arranged quote)
(arranged quote)
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